One film. Multiple formats.
One shoot produces a hero film and cuts in 16:9, 9:16 and 1:1 — every channel gets its format: website, LinkedIn, Instagram, trade fair, pitch.
Concept, shoot and edit from one hand — video production for companies that want to show who they really are. Leipzig & across Germany.
An outdated presence, missing applications, no content supply — these companies knew your starting point. Here they tell how working together solved their problems: uncomplicated in process, understood right at the briefing, smooth on shoot day — with results that now work in recruiting, sales and marketing.
“Oliver hat für uns ein Social-Media-Reel inkl. Aufnahmen aus unserer Praxis umgesetzt. Die Zusammenarbeit war von Anfang an sehr angenehm, strukturiert und professionell. Er hatte ein gutes Gespür für Bildsprache, Atmosphäre und Details und hat unsere Praxis authentisch und modern eingefangen. Besonders positiv war die klare Kommunikation und die schnelle Umsetzung. Wir sind mit dem Ergebnis sehr zufrieden und können Oliver als Videografen uneingeschränkt weiterempfehlen.”
“Für unseren Imagefilm haben wir einen professionellen Videografen gesucht und sind bei Oliver Lange von Goldener Schnitt Media gelandet. Die Zusammenarbeit war von Anfang an super unkompliziert: Ein schnelles, klares Briefing, Oliver hat sofort verstanden, was wir brauchen, und uns ein passgenaues Konzept erstellt. Auch der Drehtag lief absolut reibungslos, alles war top organisiert und professionell. Wer also einen modernen, offenen und kommunikativen Videografen sucht, ist bei Oliver definitiv an der richtigen Adresse. Klare Empfehlung!”
“Ich habe mit Oliver von Goldener Schnitt Media einen großartigen Drehtag in meiner Werkstatt erlebt. Er hat nicht nur meine Arbeit und meine Geschichte in einem cineastischen Imagefilm perfekt eingefangen, sondern auch mit professionellem Licht, gestochen scharfen 4K-Aufnahmen und exzellentem Sound gearbeitet. Das Ergebnis ist rundum professionell und kreativ. Ich kann Oliver absolut weiterempfehlen. Wer nach einem hochwertigen Film sucht, ist bei ihm genau richtig.”
“Oli hat uns einen tollen Imagefilm zu unserem neu gestalteten Hochzeitsstudio geplant und umgesetzt. Die Zusammenarbeit war angenehm und zielorientiert. Der Ablauf gut geplant und strukturiert. Oli hat die entstandenen Aufnahmen in einen wirklich ansprechenden, modernen Imagefilm verwandelt. Er stand mit Rat und Tat zur Seite, um das Endergebnis perfekt zu machen. Wir bedanken uns von Herzen und freuen uns auf zukünftige, gemeinsame Projekte!”
No agency voodoo, no secrets: these are the methods that turn one shoot day into visibility, applications and inquiries — and a single film into a system.

One shoot produces a hero film and cuts in 16:9, 9:16 and 1:1 — every channel gets its format: website, LinkedIn, Instagram, trade fair, pitch.
Clear message, current visual language, usable for years. Not a one-off expense, but an asset that keeps working in sales, HR and marketing.

Employee stories, career page video, job ads, social cuts — all from one efficient shoot day, without paralysing your operations.
Before the shoot we define how you'll recognise success: better-fitting applications, shorter time-to-hire, more inquiries. Afterwards we look at it together.

Strategy calls, planned shoot days, edit-ready assets every month — the output of an in-house production without building your own team.
Individual videos become a film strategy: content that pays into positioning, sales and recruiting at the same time — from one mould instead of patchwork.

Five clear steps with fixed milestones. You know where your film stands at any time — and when the next step is coming.
Concept, shoot, edit, music licences, revision rounds: what's agreed is included. No surprises, no add-ons.
Most companies put video off because it sounds like work: briefing rounds, alignment loops, email ping-pong. That's exactly the part I take off your plate — you make decisions, I manage the project. So you get visibility, applications and inquiries without one more project on your desk.
No account manager, no ticket system: you talk directly to the person who conceives, shoots and edits your film. Decisions take minutes — not meetings.
Footage review on the evening of the shoot, first cuts within 24–48 hours, final in under 14 days. You see progress instead of chasing it.
Two cases, 15 minutes of setup, a quiet way of working: your day-to-day business keeps running while your film is being made — in Leipzig and nationwide.
Live project status, video feedback frame-accurate on the timecode, documents and downloads in one central place. No email chaos, no digging through old threads — you are up to date in two clicks.

I'm Oliver Lange, filmmaker from Leipzig — more than 20 years in the craft, with a clear B2B focus. From 50+ projects in industry, energy, IT and mid-sized businesses I know what companies really struggle with: positions that stay vacant. A presence that doesn't show what's inside the company. Channels that nobody delivers content for.
That's exactly what I build films for. I start with the questions that lead to the message, plan the shoot so your day-to-day business keeps running, and deliver cuts before you have to ask. Project experience means: clean processes, fixed milestones, no surprises — and in the end a result that works in recruiting, sales and marketing.
My way of working is built around your result: small, quiet setups instead of a production circus, footage review on the evening of the shoot, first cuts within 24–48 hours — and a partner who thinks about story, impact and channels from concept to the final cut. You don't get a vendor who just shoots; you get someone who makes sure every shooting day works in recruiting, sales and marketing.

Before you get in touch, you want to know what you're getting into — rightly so. Here are the honest answers.
Exactly what the quote says: after the briefing you get a fixed price within 24 hours — concept, shoot, edit, licences and revision rounds included. No add-ons, no surprises. And because my setup is lean, you pay for results instead of overhead.
A few hours, spread over weeks: a guided briefing (4–6 minutes), one alignment call for the concept, a shoot day that runs alongside your daily business, and feedback with a click in the portal. The rest — planning, organisation, post-production — is on me.
All my clients know that feeling — until shoot day. I guide relaxed interviews instead of having people recite lines; after ten minutes the camera is forgotten. The result: real faces that applicants and clients believe — and that's exactly what brings the right inquiries.
First cuts after 24–48 hours, the finished film usually within 14 days of the shoot — in all formats for website, social media and career page. You can be visible in weeks, not quarters.
Mid-sized companies are exactly my focus — most of my 50+ projects were for companies your size. A film works even harder there: it replaces the missing marketing team, runs for years in recruiting, sales and at trade fairs, and pays itself back many times.
It never gets to that point at final approval: you see cuts early, give feedback frame-accurate on the timecode, revision rounds are built in. No black box — you're in the picture at every step and steer along.
Quiet and plannable: 15 minutes of setup, compact equipment and a schedule built around your operations — not the other way round. Interviews and scenes are shot between daily business, no barriers, no stage.
No. You provide input in a guided briefing (4–6 minutes); I develop concept, story and shooting plan from it. You approve both before the camera rolls — topic anchors instead of memorised lines.
The finished films are yours, with full usage rights for your channels: website, social media, trade fairs, ads. I archive the raw footage securely — future cuts can be made without a new shoot.
Yes, I work nationwide. The compact setup travels well, coordination happens remotely via portal, phone or video call — filming happens on site with you.
Through your own client portal: you see every version online, comment frame-accurately on the timecode and have all versions, documents and downloads in one place. No email ping-pong, no version chaos.
Properly handled: consent forms for everyone involved, only volunteers in front of the camera, sensitive areas are re-planned or kept unrecognisable. We sort this out before the shoot, not after.
That's exactly what the stages are for: stage 1 is a clearly scoped one-off project from briefing to delivery. If it works, we scale — stage 2 adds recruiting, stage 3 turns it into plannable monthly output.
Plannable month by month instead of rigid: fixed shooting days, edit-ready assets every month, scope adjustable at any time. You plan with a fixed budget — and if your priorities change, the plan changes with them.
By default. Every shoot produces cuts in 16:9, 9:16 and 1:1 — ready for website, LinkedIn, Instagram, YouTube and ads. Every channel gets its own format, not the same film three times.
Briefly describe your situation — within 48 hours you get an honest initial assessment: what's worth it for you, what isn't, and what the path could look like. No obligation, no agency jargon.