Answer
You don't need to be. I guide interviews and situations so that natural moments happen on their own.
FILM FORCOMPANIES READY TOSHOW UPMODERN.
Filmmaker based in Leipzig. I produce corporate films, recruiting videos and social media content for companies, brands and agencies — fast, flexible and focused on real impact instead of unnecessary complexity.
- Reach me directly.
- No agency chains.
- No off-the-shelf production.
0
Years · Leipzig
0+
Years of experience
0+
Productions
B2B
Focus
Germany-wide
Availability
How I work
NOT THE BIGGEST
PRODUCTION.
BUT OFTEN THE
MORE EFFICIENT ONE.
Many clients expect a full crew van with ten people when they book a shoot.
I work differently — on purpose. Smaller setups usually mean more flexibility, faster decisions and more genuine moments in front of the camera.
Reach me directly
WhatsApp, phone or email. No middlemen.
Fast & agile
First results often within 24–48 hours.
Minimal setup
Compact. Flexible. Professional.
Thinking, not just filming
Story, impact and platforms always in mind.
Why I do this
MAKING IDEAS VISIBLE.
What fascinates me is the moment an idea suddenly turns into something you can see.
When image, sound, light and edit start telling a story together.
That's exactly why I love video production: no two projects are ever the same.
What I solve through film
STRONG BRANDS.
CLEAR MESSAGES.
REAL FACES.
Concerns & answers
COMMON OBJECTIONS.
HONEST ANSWERS.
Answer
You don't need one. We develop concept and storyline together — based on your brand, your goals and your audience.
Answer
My lean setup cuts out a lot of the cost positions of classic productions. You pay for the result, not for overhead.
Timeline
TWENTY YEARS.
ONE CRAFT.
// MILESTONE
2007 · Spark
2007
My first own camera, a Canon Powershot A620. I photographed everything in sight — the spark caught.
2009 · DSLR
2009
First DSLR. Timelapse, long exposure, macro, portrait — exploring the full range of the medium.
2014 · Shoots
2014
Canon 600D. First real photo shoots with paying clients — the hobby turned into a craft.
2017 · Leipzig
2017
Moved to Leipzig. Regular TFP shoots, hyperlapses and my first video work — motion picture entered the picture.
2017–23 · B2B
2020
Six years in three B2B companies: project management, client communication, clear processes. Still shapes every production today.
2023 · Leap
2023
December: went full-time freelance. First hybrid mirrorless, first large four-figure project, building the network.
2024 · Pause
2024
My son was born. Time to gather, slow down and find a new perspective — personally and professionally.
2025 · Reset
2025
Coming back. Reworked the website, second camera, moved into my own photo studio with two other creatives.
2026 · Today
2026
Steady inquiries, working with agencies, five-figure monthly revenue. What grew slowly is now carrying weight.
Off camera
OFF THE
CAMERA.
The best ideas rarely show up at the desk. On the road bike I find the distance I need for clear decisions — kilometre by kilometre the head clears and what was fuzzy before sorts itself out.
Discipline in the saddle, eyes straight ahead, patience for the long climb — qualities that come straight into every project in front of the camera.
Tech
TECH AS A TOOL.
NOT AN END IN ITSELF.
Professional productions need reliable tech. But what really matters: Timing. Communication. Storytelling. Emotion.
- 2× Panasonic Lumix S5II · 6K-30p / 4K-60p · 10-bit
- Atomos Ninja Recorder · external ProRes recording
- MacBook Pro 16" M2 Max · on-set edit & grade
- 4× Lexar SD 128 GB
- Sigma 24-70 F2.8 · standard zoom
- Lumix S 70-200 F2.8 · telephoto zoom
- Sigma 28-45 F1.8 · fast zoom
- Canon EF 50 F1.2 · portrait
- Sigma 14 F1.4 · ultra wide-angle
- Sigma 100 Macro
- Black Mist Filter 1/4 & 1/2
- 2× NANLITE FS-300B · 300 W Bi-Color
- 2× NANLITE FS-60B · 60 W Bi-Color
- 2× RGB LED Panel
- Softbox Octa 90 cm · with grid
- Softbox 120 cm · reflector
- 5× C-Stand
- Sennheiser MKE 600 · shotgun
- DJI MIC · 2 wireless transmitters + receiver
- 2× RØDE Lavalier II
- Zoom H4N Pro · field recorder
- Sony WH-1000XM4 · monitor headphones
- DJI RS4 PRO Gimbal · tripod
Behind the scenes
FROM THE WORKSHOP.
GOOD FILMS DON'T COME
FROM
BIGGER CAMERAS.
They come from trust, communication and a feel for real moments.
That's exactly what I stand for.